The more I research early film exhibition in London, the less surprised I am to find films being shown in odd places. This programme card from the 1920s advertises a film screening as part of a cabaret performance at London’s Lido Club.
The Lido was located just north of Oxford Street, and it had its official opening on 1 November 1926. Before this, the building had housed a series of clubs going back to the Folies-Bergères in 1919, which was part-owned by the notorious nightclub owner Kate Meyrick. Like the Lido Club on the Champs Elysees in Paris, opened a few years later, the new name invoked the glamour of the Venice Lido, then a fashionable holiday resort – hence the mini-gondola floating at the top of the card. Try as it might, though, the Lido couldn’t shake its shady reputation or the attentions of Scotland Yard and the puritanical Home Secretary, William Joynson-Hicks. In July 1928, two undercover policemen witnessed (and partook in) after-hours drinking in the club’s basement till 4am, in defiance of the licensing laws of the time. A late-night raid by the Flying Squad later that month failed to find anything illegal going on, but managed to put the club out of business for good.
Film doesn’t seem to have been a staple on the Lido’s cabaret bill. Clearly, this instalment of the ‘cinemagazine’ Eve’s Film Review, showing scenes from ‘A Night at the Lido Club’, had special significance. Not only did it show the club in action (and in an extremely positive light), but it also gave patrons a chance to see themselves and their peers on screen. A copy of the film survives in the BFI National Archive, and it’s a fascinating record of a jazz-age night out in full swing. Sadly, there’s no version of it online. Instead, and in honour of the Lido’s ‘Breakfast Time’ act on 21 May 1928, here’s Leslie Hutchinson performing for guests at the Malmaison hotel, 1933, courtesy of the British Pathé archive…
For more on London’s nightclubs, see Judith Walkowitz, Nights Out: Life in Cosmopolitan London (2012). Jenny Hammerton’s book For Ladies Only? (2001) tells the full story of Eve’s Film Review.